Jesse Gilbert

About the artistBio CV
- BioJesse Gilbert works in sound and software design, creating flexible tools that are activated in live performance, via network interaction, or in installation settings. His work has recently focused on developing SpectralGL, an interactive 3D visual instrument, on building multi-channel immersive sonic environments, and on composing electro-acoustic music for the moving image. Gilbert started Dark Matter Media LLC in 2007, through which he consults on a variety of projects in the art and entertainment industries. He is currently the Associate Director of I.T. and Digital Media at the CalArts School of Film u0026#038; Video, and has taught interactive software design at both CalArts and UC San Diego. Gilbert’s work has been shown widely in the US and abroad; venues include Färgfabriken (Stockholm), Laboral Centro de Arte (Gijón), Engine27 (New York), Museum of Contemporary Art (Los Angeles), New Museum (New York), net.congestion (Amsterdam), Ars Electronica (Austria), CEAIT Festival (Los Angeles), Kunstradio’s Recycling the Future (Austria), and PORT (MIT, Boston). His work has received support from the National Endowment for the Arts, Eyebeam Atelier, the National Performance Network, turbulence.org, the Studio for Creative Inquiry (Carnegie Mellon), the Jerome Foundation, Creative Capital, the Markle Foundation, the Beall Center for Art u0026#038; Technology (UCu0026hellip;
- PressImages for download 2010 World Technology Summit
Spectraldescription of SpectralGL
Writing
- The Secret Life of Data
Sound Design
Net.art
Code
ReleaseLinks to publicly available software created by Jesse Gilbert. [intlink id=u0026#8221;1013u0026#8243; type=u0026#8221;pageu0026#8221;]Shaders[/intlink] All software released under the Creative Commons Attribution-Noncommercial-Share Alike 3.0 Unported License.
- ShadersOccasional releases of GLSL shaders that I’ve developed for the Max/Jitter environment. Colorspace conversion u0026#8211; download here Translation to/from RGB into a variety of perceptual colorspaces. I developed these as part of a palette derivation tool for arbitrary images, release forthcoming. All algorithms adapted from those at the EasyRGB website. Transforms to/from the CIE-XYZ color space assume a 2º Standard Observer, D65 illuminant. Version 0.1, June 2012 Shader listing RGB –u003e HSL RGB –u003e HSV HSL –u003e RGB HSV –u003e RGB RGB –u003e CIE-XYZ CIE-XYZ –u003e RGB CIE-XYZ –u003e CIE-L*ab CIE-XYZ –u003e CIE-L*uv CIE-XYZ –u003e HLAB CIE-XYZ –u003e Yxy CIE-L*ab –u003e CIE-XYZ CIE-L*uv –u003e CIE-XYZ HLAB –u003e CIE-XYZ Yxy –u003e CIE-XYZ CIE-L*ab –u003e CIE-L*CH CIE-L*CH –u003e CIE-L*ab All software released under the Creative Commons Attribution-Noncommercial-Share Alike 3.0 Unported License.
- PaletteGrabDOWNLOAD: https://github.com/jessegilbert/PaletteGrab/ PaletteGrab uses custom Java classes to analyze an arbitrary input image and generate an 8-color palette that represents its dominant colors. The analysis/sorting algorithm requires an input matrix in CIE-Lab format. In order to achieve this, use my colorspace transformation shaders available here: http://jessegilbert.net/release/shaders/ Several of these shaders are used in the example Max patch, so they must be visible in your Max search path. The Java sorting algorithm has a variable tolerance setting, which enables the user to select a maximum color “distance” used to group colors together. For input images with subtle color shading a lower tolerance value may be desired, resulting in a more nuanced output palette. Higher tolerance values may be useful to ensure that all colors are represented in the output matrix. Experimentation may be required to find the appropriate tolerance value for a given input image. The input image is downsampled to reduce processing time – the included Max patch provides a umenu to adjust this as needed.

Performance

Selected sound design for live performance:

with Carole Kim

[intlink id=”128″ type=”page”]DE: Materia[/intlink]

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